a trans-disciplinary scholar, Malaklou publishes in academic journals like Theory & Event, Rhizomes, Black Camera, National Political Science Review, Trans-Scripts, and the Journal of critical animal studies. Click on the icon above to learn more about her peer-reviewed publications.

“Rather than have access to time as a moving marker, which is to say, rather than have access to civilizational discourse, to a progress narrative, or to (his)story— even, to an alternative (his)story (or, to her-story)—the Black African is instead imagined in the canonical texts that define and respond EuroEnlightenment humanism as forever stuck in time, specifically, in the bush—in a time before (human) time.”

 

Malaklou, M.S. (2021). Reaching Backwards in Time: The Feltness of Unfreedom in an Antiblack World. Theory & Event 24(2), 598-604. doi:10.1353/tae.2021.0029.

other writings


Malaklou, M. S. (2016). On the Chronopolitics of Skin-ego: Antiblackness, Desire and Identification in Bravo TV's Shahs of Sunset. Rhizomes: Cultural Studies in Emerging Knowledge, (29), 1–1. https://doi.org/10.20415/rhiz/029.e14

Malaklou, M. S. (2018). 'Dilemmas' of Coalition and the Chronopolitics of Man: Towards an Insurgent Black Feminine Otherwise. Theory & Event, 21(1), 215–258.

Malaklou, M. S. (2021). Surviving the Ends of Man: On the animal and/as black gaze in Jordan Peele's Get Out and Us. Journal for Critical Animal Studies, 18(2), 70–99.

public scholarship

Malaklou is perhaps best known for her social media hashtag #therevolutionwillnotbehumanized and for her think pieces—on topics ranging from Beyoncé’s and Jay-z’s black femme(inism)s, to trayvon martin’s murder, to DAPL and its relationship to the movement for black life, to the sports-media complex’s exploitation of black flesh. In addition to publishing this work in The feminist wire, counterpunch, and (most recently) the conversationalist, malaklou elaborates these interventions as a guest correspondent on Always already: a critical theory podcast. Click on the image to learn more about her public scholarship.

exhibitions

While on faculty at Beloit college (2016-2019), Malaklou served as the parker faculty curator for the college’s wright museum of art, during which time she hosted artist talks, wrote exhibition essays, and worked with students in her “black lives (don’t) matter” class to procure pieces by black artist-activists. in order to facilitate their learning of the relationship between black poiesis and the movement for black life, She then worked with these students to curate a show from those pieces, for which renowned feminist artist Alison saar delivered the opening remarks. Click on the image to learn more about malaklou’s exhibition work.